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The definitive collection of the best in science fiction stories between 1929 and 1964
The book you now hold contains twenty-six of the greatest science fiction stories ever written. They represent the considered verdict of the Science Fiction Writers of America, those who have shaped the genre and who know, more intimately than anyone else, what the criteria for excellence in the field should be. The authors chosen for The Science Fiction of Hall Fame are the men and women who have shaped the body and heart of modern science fiction; their brilliantly imaginative creations continue to inspire and astound new generations of writers and fans.
Robert Heinlein in "The Roads Must Roll" describes an industrial civilization of the future caught up in the deadly flaws of its own complexity. "Country of the Kind," by Damon Knight, is a frightening portrayal of biological mutation. "Nightfall," by Isaac Asimov, one of the greatest stories in the science fiction field, imagines a planet where the sun sets only once every millennium and is a chilling study in mass psychology.
Originally published in 1970 to honor those writers and their stories that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame, Volume I, was the book that introduced tens of thousands of young readers to the wonders of science fiction. Too long unavailable, this new edition will treasured by science fiction fans everywhere.
The Science Fiction Hall of Fame, Volume I, contains stories by the great masters of the form, including the following authors:
Isaac Asimov
Alfred Bester
Jerome Bixby
James Blish
Anthony Boucher
Ray Bradbury
Fredric Brown
John W. Campbell, Jr.
Arthur C. Clarke
Lester del Rey
Tom Godwin
Robert A. Heinlein
Daniel Keyes
Damon Knight
C. M. Kornbluth
Fritz Leiber
Murray Leinster
Richard Matheson
Judith Merril
Lewis Padgett
Clifford D. Simak
Cordwainer Smith
Theodore Sturgeon
A. E. van Vogt
Stanley G. Weinbaum
Roger Zelazny
- Sales Rank: #861037 in Books
- Brand: Tor Books
- Published on: 2003-02-22
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.56" h x 1.73" w x 5.74" l,
- Binding: Hardcover
- 576 pages
- Used Book in Good Condition
Amazon.com Review
If you own only one anthology of classic science fiction, it should be The Science Fiction Hall of Fame: Volume One, 1929-1964. Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly).
The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared.
Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward
Review
"A basic one-volume library of the short science fiction story."-Kirkus
"Quibbling about the choice of the prize winners would be like arguing with the pros who vote on the Academy Awards."-Publishers Weekly
"The first definitive modern anthology of top science fiction stories."-Newark Sunday News
About the Author
Robert Silverberg has written more than 160 science fiction novels and nonfiction books. In his spare time he has edited over 60 anthologies. He began his writing career unsuccessfully at the age of 13, when he submitted stories to science fiction magazines and was rejected. He published his first story, entitled "Gorgon Planet," in 1954 while just a sophomore at Columbia University; but in 1956, he won his first Hugo Award, for Most Promising New Author, and he hasn't stopped writing since. Among his standouts: the bestselling Lord Valentine trilogy, set on the planet of Majipoor, and the timeless classics Dying Inside and A Time of Changes. Silverberg has won the prestigious Nebula Award an astonishing five times, and Hugo Awards on four separate occasions. He holds the additional honor of winning these honors in five decades, and he has been nominated for both awards more times that any other writer.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Cheap cover/Thin paper. But great stories.
By Steplander
Here's an example of what has been bothering me about the publishing world lately. But only are the prices going sky high but the quality of prints are getting just plain awful.
Let me first say the stories are fantastic. I had this book in hardcover many years ago and it's a wonderful collection. My problem is with the quality of the edition.
Cheap thin paper.
A cover that is magazine cover thin.
Why??
Probably because someone decided to cut corners and give another reason for their yearly bonus. "Let's cut costs and give the consumer a cheap paper cover. They will never notice"
WE NOTICE!!
Note to publisher: respect your own work and product. Respect your customer.
3 of 3 people found the following review helpful.
The SF Hall of Fame, Vol. 1 - My Favorite SF Anthology: READ IT! It will be your favorite too!
By Daniel B.
The SF Hall of Fame series was established to recognize quality SF writing before the era of the HUGO and NEBULA awards. What a wonderful gift to the early SF pioneers who were shamefully treated by the mainstream of creative writers. Of course, SF writers themselves changed these negative impressions by the higher literary standards achieved in the 1950s and beyond by such writers as Arthur C. Clarke, Ray Bradbury, Isaac Asimov, Roger Zelazny, Ursala Le Quin, Joanna Russ, Frank Herbert (I'm having fun proving my point with this list, which could go on and on . . . .). This first volume is framed by two stories of a journey to Mars: "A Martian Odyssey" from 1934 (I wanted to make a movie version with Jack Nicholson as the hero) and "A Rose for Ecclesiastes" from 1963 (I wanted to make a movie version with Jack Nicholson as the hero). In those intervening 29 years SF writing matured from Stanley Weinbaum's rather primitive pulp fiction to Roger Zelazny's stunning modernist prose. The first story is just an action fantasy, with little science and the most rudimentary fiction techniques. Still it's a great read! It has action, humor, suspense and one of the great alien characters in the whole genre, the bird-like and noble-hearted Martian, named Tweel. Trust me: once you meet Tweel you will never forget it (?). The later distinction between Hard SF and Soft SF did not yet exist and I doubt it would have mattered to Weinbaum, who was not a professional writer. However, three decades later, we have a very professional, and polished writer in Roger Zelazny, who had internalized the main currents of modern literature as his references to Hart Crane, Rainer Maria Rilke, the Mahabharata, Shakespeare, Rimbaud attest. You get the point. For Zelazny, goddamit, SF is literature and occupies its own niche in world literature. His main character is a poet, an anti-hero with illusions of heroism, a scoundrel and a brilliant, imaginative individual who single-handedly saves a dying civilization from imploding. And what does he get for his efforts. Nothing, no material rewards, no recognition. In this, he resembles the existentialist anti-hero of main stream fiction in the 1960s. And Zelazny's style is breathtaking: metaphorical, lyrical, sarcastic (even sardonic), allusive, persuasive and, beneath Gallinger's tough talk, deeply moving, even empathetic. And Zelazny knew he was writing Soft SF, so he could indulge his imagination in creating his version of a SF Mars and an alien race inhabiting it. The distinction between Hard and Soft forms of SF clarified the intentions of writers so that their readers did not misinterpret the results. This volume is contains a plethora of short masterpieces which together create a vivid primer in the varieties of SF.
2 of 2 people found the following review helpful.
Like short stories?
By Debby
I bought this book because of one particular story I wanted to read. It was the printed version of one of my favorite old black and white Twilight Zone episodes. This book is a great book to keep by my bed because I read every night and love to have short stories that I can finish in one night. Each short story is by a different author and very well done. If Rod Serling read it that is a good enogh reference for me.
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