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The Horse In Blackfoot Indian Culture: With Comparative Material From Other Western Tribes, by John C. Ewers
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Excerpt from The Horse in Blackfoot Indian Culture: With Comparative Material From Other Western Tribes
Most of the text figures reproduced in this study are based on pencil drawings carefully prepared by Calvin Boy, a young Piegan artist. To insure their accuracy, special precautions were taken. As elderly informants described objects and/or activities I desired to have illustrated Reuben Black Boy and I made rough sketches. We showed these to Calvin Boy and explained to him the content of the desired illustrations. He then drew pictures at a very large scale so that they could be seen readily by elderly informants, many of whom had poor eyesight. The informants examined the drawings and in the presence of the artist made suggestions for any changes in detail that might be necessary. Then Calvin Boy prepared the final pencil or pen-and-ink drawings. The minority of the line illustrations were prepared by the author from his field notes and sketches.
I am indebted to the following institutions for permission to repro duce photographs of objects and scenes in this bulletin: American Museum of Natural History, New York; Brooklyn Museum; Chicago Museum of Natural History; Glacier Studio, Browning, Mont. Great Northern Railway; Montana Historical Society, Helena; Museum of the Plains Indian; Royal Ontario Museum of Archaeology; Smith aonian Institution: and Geological Survey, United States Department of the Interior.
Throughout the period of this investigation (1941 - 52) I was mind ful of its broader implications. I endeavored to read widely in the scattered and largely unindexed literature on the Blackfoot and other horse-using tribes of the Great Plains and Plateau. In quest of dated materials and comparative data, I examined numerous collections of specimens in museums as well as collections of early drawings, paint ings, and photographs. I sought to obtain comparative data directly from elderly informants among the Flathead Oglala Dakota and Kiowa (1949) tribes as my limited opportunities for field work on their respective reservations permitted. Alice Marriott graciously supplied, through correspondence, information on Kiowa horse usages, obtained in the course of her own field work. Eugene Barrett, forester, Rosebud Reservation, S. Dak., kindly furnished some comparative data on Brule Dakota horse usages. Edith V. A. Murphy of Covelo, Calif, formerly field botanist, Office of Indian Affairs, sent me valuable comparative data on horse medicines.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
- Sales Rank: #7637683 in Books
- Published on: 2011-06-25
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.06" w x 5.98" l, 1.70 pounds
- Binding: Hardcover
- 410 pages
About the Author
John C. Ewers (1909 1997), was the first curator of the Museum of the Plains Indian on the Blackfeet Reservation in Montana. Later he served as Director of what is now Smithsonian Institution's National Museum of American History and was Ethnologost Emeritus with the Smithsonian. His many publications include "The Blackfeet: Raiders on the Northwestern Plains "and "Plains Indian History and Culture: Essays on Continuity and Change."
Most helpful customer reviews
0 of 0 people found the following review helpful.
A Study of Diffusion and a Goldmine of Information on Blackfoot
By ernest schusky
Ewer's fieldwork was in the 1940s when Americans concentrated on origins determined by trait complexes. Study all the cultures in an area and where a trait complex has the greatest number of traits, that determines the origin of the trait. Ewers lacked the comparative data so he could not conclude what traits surrounding the horse originated where, but certainly the Blackfoot must have been early adopters of the horse and its trait complex. In fact, Ewers concludes that it is likely the trait complex, as well as the horse, diffused from friendly neighbors.
For me, his introduction, in effect a history of how the horse and the complex diffused among American Indians is worth the price of the new edition, and the publisher is to be congratulated for the reissue.
When we learn that the trait complex for the Blackfoot consists of 119 traits, we swallow hard. We can imagine a number of traits surrounding bridles, saddles, blankets, even whips, but the material items can be imagined. What is so valuable about Ewer's study is that he introduces us to social organization where horses and their equipment were used for bride wealth, compensation, and other traits cementing social relations. A host of other traits are religious and ceremonial.
The work can be tedious at times, but it will serve as a reference source for Plains Indians for many more decades.
ernestschusky.com
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