Minggu, 13 Juni 2010

[F761.Ebook] Fee Download Adrift: 76 Days Lost at Sea, by Steven Callahan

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Adrift: 76 Days Lost at Sea, by Steven Callahan

Adrift: 76 Days Lost at Sea, by Steven Callahan



Adrift: 76 Days Lost at Sea, by Steven Callahan

Fee Download Adrift: 76 Days Lost at Sea, by Steven Callahan

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Adrift: 76 Days Lost at Sea, by Steven Callahan

Before The Perfect Storm, before In the Heart of the Sea, Steven Callahan’s Adrift chronicled one of the most astounding voyages of the century and one of the great sea adventures of all time. In some ways the model for the new wave of adventure books, Adrift is now an undeniable seafaring classic, a riveting firsthand account by the only man known to have survived for more than a month alone at sea, fighting for his life in an inflatable raft after his small sloop capsized only six days from port.

Racked by hunger, buffeted by storms, scorched by the tropical sun, Callahan drifted for 1,800 miles, fighting off sharks with a makeshift spear and watching as nine ships passed him by. “A real human drama that delves deeply into man’s survival instincts” (Library Journal), Adrift is a story of anguish and horror, of undying heroism, hope, and survival, and a must-read for any adventure lover.

“An utterly absorbing saga.” ―Newsweek

“Fascinating…a clearly written ocean yarn in which the stakes are high and a brave man wins through.” ―Wall Street Journal

  • Sales Rank: #1903991 in Books
  • Published on: 2014-11-18
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l, .15 pounds
  • Running time: 7 Hours
  • Binding: MP3 CD

From School Library Journal
YA Sailing Napoleon Solo in a single-handed Mini-Transat race from Spain to Antigua, Callahan was west of the Canary Islands when he realized that his sailboat was sinking. He managed to grab the life raft, a knife, his emergency duffel bag, a piece of mains'l, and a sleeping bag. These items became his home and sole possessions for 76 days. Loneliness, hunger, thirst, pain, and weakness dogged Callahan, yet his ingenuity and knowledge of the sea enabled him to survive. The illustrations and diagrams of life aboard Rubber Ducky III enable readers to visualize the hardshipsthe cramped living space of the raft, the hundreds of salt water sores that covered his body, the foreboding appearance of an approaching storm, or the primitive method used to collect fresh water. Harassed by sharks and dorados; at the mercy of storms; sore, cold, and miserable, Callahan shows fortitude and perseverance. An excellent book for all YAs, whether sailors or landlubbers. Pam Spencer, Mount Vernon High School Library, Fairfax, Va.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
Callahan, a marine architect, lost his boat in a storm off the Canary Islands while engaged in a singlehanded race across the Atlantic in 1981. Luckily, he carried far more than the basic emergency equipment required, e.g., a six-person raft. Before sinking he was able to recover his emergency equipment bag and his life raft. Callahan admits to having read the survival accounts of Maurice and Maralyn Bailey ( Staying Alive , 1974) and Dougal Robertson ( Survive the Savage Sea , 1973) and even had the latter's manual Sea Survival (1975) with him in the raft. What makes his story different was his lack of a companion. Through his own ingenuity he learned how to spear fish, fix his solar still, and even repair his holed raft. This is a real human drama that delves deeply into a man's survival instincts. It should be read by anyone venturing offshore in a small boat. John Kenny, San Francisco P.L.
Copyright 1985 Reed Business Information, Inc.

Review
A tale of courage and determination in the face of almost insurmountable hardship. The New York Times Book Review -- Publisher Comments

Most helpful customer reviews

124 of 129 people found the following review helpful.
A revealing odyssey
By Ken Kardash
This is the fascinating story of a resourceful sailor who drifted in a life raft across the Atlantic Ocean. Unlike other adventurers who have chronicled solo transoceanic journeys (Joshua Slocum, Thor Heyerdahl, Alain Bombard, William Willis, etc.), his journey was unplanned. After the sudden sinking of his sailboat, he had to hurriedly abandon ship into an inflatable life raft with whatever supplies he could snatch. His seventy-six day ordeal takes place in this constantly leaking raft too small to accommodate his full body length. He knows from the outset that his food and water supplies are inadequate. His story of survival thus becomes not one of simple endurance, but a confrontation of many external and internal challenges ranging from securing food and water to dealing with isolation and despair. He meets these with remarkable ingenuity and determination. Forced into introspection that borders on the mystical at times, his reflections on how his mindset and personal characteristics responded to these challenges make for as fascinating an inner journey as the one his body endured. This is what separates this from most adventure stories, and why I think it will endure as a classic of the genre.

58 of 65 people found the following review helpful.
A Truly Scary Tale At Sea
By Marty From SF
Steven Callahan is a blessed man. This true story is one of the most harrowing accounts of survival in a truly hopeless situation. He capsizes in minutes in the middle of the night with a raft and not much more. Nobody knows he's missing. No one is looking for him.
Told with desperation and some much needed occasional humor, Callahan paints a story so real and frought with fear that you can read it in one sitting. It is difficult to imagine what one would do in a similiar situation and the very thought of it is spine tingling.
This is a tale for every person who ever took to the water and every adventurer who feels safe in thier environment. You will never take the ocean for granted again after reading this book.

22 of 22 people found the following review helpful.
You think you've got problems...
By mbmusgrove@yahoo.com
I read this book at the recommendation of my father. I had broken my leg and was immobile and alone on the 2nd floor of a house in Charleston, SC. I couldn't put his book down until I had finished it. Callahan's account of his daunting, aimless attempt to reach land alive will make anyone appreciate what they have and that they don't know the meaning of desperation, uncertainty, hopelessness and perseverance. I felt lucky to only have a broken leg once I finished this book. I highly recommend it.

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Rabu, 02 Juni 2010

[R541.Ebook] PDF Download Pamela: Or, Virtue Rewarded (Penguin Classics), by Samuel Richardson

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Pamela: Or, Virtue Rewarded (Penguin Classics), by Samuel Richardson

Pamela: Or, Virtue Rewarded (Penguin Classics), by Samuel Richardson



Pamela: Or, Virtue Rewarded (Penguin Classics), by Samuel Richardson

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Pamela: Or, Virtue Rewarded (Penguin Classics), by Samuel Richardson

"I cannot be patient, I cannot be passive, when my virtue is in danger."

Fifteen-year-old Pamela Andrews, alone and unprotected, is relentlessly pursued by her dead mistress’s son. Although she is attracted to young Mr B., she holds out against his demands and threats of abduction and rape, determined to defend her virginity and abide by her own moral standards. Psychologically acute in its investigations of sex, freedom and power, Richardson’s first novel caused a sensation when it was first published, with its depiction of a servant heroine who dares to assert herself. Richly comic and full of lively scenes and descriptions, Pamela�contains a diverse cast of characters, ranging from the vulgar and malevolent Mrs Jewkes to the aggressive but awkward country squire who serves this unusual love story as both its villain and its hero.

This edition incorporates all the revisions made by Richardson in his lifetime. Margaret A. Doody’s introduction discusses the genre of epistolary novels, and examines characterization, the role of women and class differences in Pamela.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.

  • Sales Rank: #418672 in Books
  • Brand: Penguin Classics
  • Published on: 1981-02-26
  • Released on: 1981-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .90" w x 5.10" l, .82 pounds
  • Binding: Paperback
  • 544 pages
Features
  • Great product!

Review
`with this edition of Pamela, which will surely become the standard text, we can see more clearly why Richardson's first novel mattered so much' John Mullan, London Review of Books

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

From the Back Cover
Based on actual events, Pamela is the story of a young girl who goes to work in a private residence and finds herself pursued by her employer's son, described as a 'gentleman of free principles.' Unfolding through letters, the novel depicts with much feeling Pamela's struggles to decide how to respond to her would-be seducer and to determine her place in society.

Most helpful customer reviews

43 of 44 people found the following review helpful.
A Novel of Mutual Seduction and Instruction
By mp
Samuel Richardson's first novel, 1740's "Pamela, or Virtue Rewarded" is a clever and rich novel. Written to entertain and edify readers of both sexes, "Pamela" is an epistolary novel, presented in the form of letters and a journal between young Pamela Andrews and her parents. From the viewpoint of a domestic servant, Pamela illustrates the complex relationships between commoners and aristocrats, including the range of socially and economically diverse people between those extremes. The novel also explores the erotics of social ambition within the context of eighteenth century bourgeois religious ethics.
Pamela is a mid-teen waiting maid, and as the novel begins, the Lady she serves has just died. Prior to her death, this Lady recommends her servants, and particularly Pamela, who has been educated and refined above her social station, to the Lady's son, a strapping young man, Mr. B. Mr. B, with his own plans for Pamela, gladly takes her into his service, rather than send her to his sister, Lady Davers. Shortly after entering his service, Pamela begins to be uncomfortable, as Mr. B starts trying to seduce her. Pamela, in correspondence with her parents, and under the direct advice of the housekeeper, Mrs. Jervis, vows to protect her virtue and chastity. The rest of the novel deals with Pamela's efforts to fend off Mr. B's advances, in conditions that often amount to imprisonment and attempted rape.
There are many noteworthy issues in "Pamela," first of all being the figuration of the word "virtue." In the context of the novel, and its main character, the word has gender connotations, which align virtue with chastity and marriagability. It is a somewhat radical concept that Pamela, as a common, if obscenely beatiful, servant, should be so assiduous and insistent on the value of her virginity. Her parents tell her that she should rather die than forfeit her innocence. In higher social circumstances, chastity has definite marriage value, whereas Pamela, whose family is all but destitute, has no way to provide for her - her ability to marry is dependent to a great extent on remaining virtuous. One of the things "Pamela" forces us to think about is whether men can or should be held to the same sexual moral standards as women, and accustom us to the idea of unequal (social and economic) relationships.
Another important and valuable thing we get from "Pamela" is the idea of character and self as written things, as text. Mr. B chides Pamela for writing about him, and the possibility that her letters circulate with disparaging comments on himself. Of course, the more commonplace notion of employers giving "characters" of their servants, or recommendations makes Pamela's writings all the more interesting. The fact that the vast majority of the novel consists of Pamela's writing - we get the clear message that it is the point of view of a young, lower class woman that gives us our ideas about everything in the novel. The way that Pamela writes herself and those around her, including the vile and sexually-ambiguous Mrs. Jewkes seems to indicate the truth-value and propriety of Pamela's opinions and observations. The fact that other characters in the novel read Pamela's letters is also important here, as they not only better understand themselves, but Pamela and her own motivations. The way especially, that Pamela and Mr. B read and learn from each other throughout the novel, is fascinating.
Richardson would go on to further elaborate these themes in completely different social circumstances, and with a great deal more terror and anxiety in "Clarissa," but Pamela has its own distinct charms and appeal. In form and content, the influence of "Pamela" can be felt and appreciated from around the time of its publication (see Henry Fielding's "Shamela" and "Joseph Andrews") through to the 20th century and beyond (see "The Color Purple" by Alice Walker). Important to note, though - this review pertains specifically to the 1740 first edition of "Pamela" published by Riverside. There are significant differences, modifications in language and tone between this and, say, the 1801 edition published in the Penguin Classics. Each has its own merits, so buy and read at your discretion!

0 of 0 people found the following review helpful.
"The rest of the story" is nicely done. Pamela
By Marie
"The rest of the story" is nicely done. Pamela, now Mrs. B is continually upheld by those around her for her virtue and many of her husband's set are drawn to her for it. As we watch them stay their life and family together they are faced with some challenges, but we watch as Pamela continues to manifest many good qualities of character. She learns about household and spousal management and the importance of communication. She also contemplates the education and rearing of children.

Some of the ideals may be outdated in our more gender equal society, but many of the virtues Pamela displays and the lessons she learns can be just as applicable today in a variety of relationships.

26 of 28 people found the following review helpful.
Where the Novel STARTED
By A Customer
This is where it all started. Richardson gives this fast moving epistolary story a fun and predictable story of cat and mouse. The story is simple and short. Maiden is beautiful and is the center of attention by the rich aristocratic master. Retaining her virtue, she places her sentimentiality ahead of possible riches if she gives into the master's advances. Truely a common element of seduction in the Eighteenth century. In all respects, the reason to pick up this novel is Richardson's use of language and sentiments. This novel produces a great deal of reader participation. For one, the reader must decide which side he or she will side with. Siding with one or the other would produce a different outcome to the ending. This novel reads fast and is filled with great eighteenth-century vernacular language. Lots of insults and name calling are also included which are extremely funny. Calling this novel a "preview" to Richardson's masterpiece Clarissa is unjust. This is a masterpiece on its own and it will not disappoint with the first, second, or third reading.

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